Today I started my new job at Channel 5’s in-house production company: Elephant House Studios.
The last six months have been filled with all things Roman, as I worked from conception to delivery on the octuplet series Eight Days that Made Rome. It’ll be out by the end of this month on Channel 5, and I can safely say that the whole team is very proud of their brainchild. I’ve never worked on a project right until the end, so it was great to see how it evolved and developed through every stage of the edit – the down side being the mountains of post-production paperwork that go with delivering the final films.
But it’s a rather snuggly feeling, knowing that soon I’ll be curled up in front of the TV watching a series in which I feel so very involved. From knowing exactly where I was standing behind the camera, to seeing the baby photos of one of the contributors, I have been part of this series at every level. It’ll also be my very first on-screen credit!
And in the meantime, I’m starting all over again with a brand new docu-drama. This one will be more drama than doc, and may well lead my career further into dramatisations, but when I think back to all the theatre productions I produced and directed throughout school and university, maybe that’s not such a bad thing after all. I get a real thrill from seeing historical characters come alive on the screen, and I think there’s a lot to be said for education through entertainment. This feature-length docu-drama, however, is focussed on the Victorian era, so I’m out of my historical comfort zone and learning every day.
But this is what I love about working in telly. There’s rarely a chance to get bored. There’s always an exciting new project round the corner. Always more people to meet, more facts to learn, more skills to develop. Having put Eight Days that Made Rome safely to bed, I am very keen to get my teeth into this new challenge.